1818: We Were Here Before Us

OpMATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture. 

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of bliss – a background of birds flitting through a bamboo forest, calm shades of jade greens, and a gold print of the word “福”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

BLISS 福 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of grace – a background of majestic mountains set against gentle clouds, the grandeur of a purple sky, and a gold print of the word “恩”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

GRACE 恩 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of love – a background of peonies in bloom, set against a blush of pink, and a gold print of the word “爱”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

LOVE 爱 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Velvet, Cotton Cushion Insert

DIMENSIONS (H x W) CM

45 x 45, fits up to 50 x 50 cm cushion insert

DETAILS

Once the tallest skyscraper in all of Southeast Asia—so tall, pilots landing at Kallang Airport some miles away used it as a marker—Cathay Building is familiar with firsts. Home to a flourishing Asian film scene, it was the first cinema to screen American and British movies. It was also popular for its air-conditioned theater, the first of its kind and a technological wonder in tropical Singapore. 

EMBRACE ME

Sentimental. Beautiful. Iconic. These beautiful Art Deco buildings form an indelible part of Singapore's cultural heritage.

In a tribute to these storied landmarks still standing today, EMBRACE ME Cushion Covers reimagines their glory days in exuberant hues. Ready for fresh attention and a new appreciation, they are an invitation to embrace our architectural treasures, in every sense of the word.

STOCK AVAILABILITY

This item is made to order. Please allow production time of approximately 6 - 8 weeks.

MATERIAL

Choice of Bonded Leather, Pure Leather or Fabric (custom colours available), Black Ash Wood with Brass Caps

DIMENSIONS (L x W x H) CM

 51 x 44 x 80

DETAILS

A mossy green leather wrapped chair with black ash wood legs capped with brass gather around, completing a harmonious scene - certainly a slice of heaven on earth.

NOTES

Actual measurements may vary ± 2 cm. Due to the use of natural materials, variations in pattern and color will differ. For more information, please read our terms and conditions.

MATERIAL

Velvet, Cotton Cushion Insert

DIMENSIONS (L x W) CM

45 x 45, fits up to 50 x 50 cm cushion insert

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too heaty, chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

MATERIAL

Matt art paper

DIMENSIONS (L x W) CM 

14.8 x 10

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too heaty, chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

Matt art paper.