1818: We Were Here Before Us

OpMATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

100% Linen

DIMENSIONS (L x W) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture. 

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

Porcelain, Gold

DIMENSIONS (Diameter x Height) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today. 

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of bliss – a background of birds flitting through a bamboo forest, calm shades of jade greens, and a gold print of the word “福”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

BLISS 福 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of grace – a background of majestic mountains set against gentle clouds, the grandeur of a purple sky, and a gold print of the word “恩”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

GRACE 恩 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

MATERIAL

Jingdezhen Porcelain, Handpainted Gold Trim, Stainless Steel with Gold Plating (Spoon)

DIMENSIONS ( D x H) CM

8.5 x 10 (350ml)

DETAILS

Featuring an original illustration of a scene of love – a background of peonies in bloom, set against a blush of pink, and a gold print of the word “爱”，this is a meaningful piece of decor or gift for people of contemporary tastes, with an appreciation for Asian culture.

LOVE 爱 Mug is part of the TRINITY Blessings Series - containing the Chinese characters 福 (Bliss), 恩 (Grace) and 爱 (Love), a trinity of age old blessings reworded for today, featuring original contemporary illustrations.

Browse TRINITY Blessings Series for more options.

MATERIAL

Velvet

DIMENSIONS (H x W) CM

45 x 45, fits up to 50 x 50 cm Cushion insert

DETAILS

Once the tallest skyscraper in all of Southeast Asia—so tall, pilots landing at Kallang Airport some miles away used it as a marker—Cathay Building is familiar with firsts. Home to a flourishing Asian film scene, it was the first cinema to screen American and British movies. It was also popular for its air-conditioned theater, the first of its kind and a technological wonder in tropical Singapore. 

EMBRACE ME

Sentimental. Beautiful. Iconic. These beautiful Art Deco buildings form an indelible part of Singapore's cultural heritage.

In a tribute to these storied landmarks still standing today, EMBRACE ME Cushion Covers reimagines their glory days in exuberant hues. Ready for fresh attention and a new appreciation, they are an invitation to embrace our architectural treasures, in every sense of the word.

Does not come with cushion stuffing.

MATERIAL

Velvet

DIMENSIONS (H x W) CM

45 x 45, fits up to 50 x 50 cm Cushion insert

DETAILS

A red light beckoning seafarers in the dark. To some, it meant hope, for it announced the landing point for immigrants in search of better prospects. To others, it served as a beacon, guiding mariners returning from commercial ventures. This eponymous lamp gave the pier its local name, Hong Deng Ma Tou (红灯码头) or the Red Lamp Pier. Immigrants and sailors soon became day-trippers and pilgrims as, years later, travellers launched off for the Southern Islands here. 

EMBRACE ME

Sentimental. Beautiful. Iconic. These beautiful Art Deco buildings form an indelible part of Singapore's cultural heritage.

In a tribute to these storied landmarks still standing today, EMBRACE ME Cushion Covers reimagines their glory days in exuberant hues. Ready for fresh attention and a new appreciation, they are an invitation to embrace our architectural treasures, in every sense of the word.

Does not come with cushion stuffing.

MATERIAL

Velvet

DIMENSIONS (H x W) CM

45 x 45, fits up to 50 x 50 cm Cushion insert

DETAILS

The urgent bustle of commerce.  The crush of people rushing to catch their trains. gazing beautifully down from their pedestals on the majestic and richly ornamented facade, the four reliefs in white marble, allegories of Agriculture, Industry, Commerce and Transport, bear witness that time waits for no one. Inside, beneath the barrel vault roof, mosaic panels depict the historical industry of the region in vibrant hues. 

EMBRACE ME

Sentimental. Beautiful. Iconic. These beautiful Art Deco buildings form an indelible part of Singapore's cultural heritage, built during a time we were hopeful and idealistic, striving to make our mark on the world.

In a tribute to these storied landmarks still standing today, EMBRACE ME Cushion Covers reimagines their glory days in exuberant hues. Ready for fresh attention and a new appreciation, they are an invitation to embrace our architectural treasures, in every sense of the word.

Does not come with cushion stuffing.

MATERIAL

Velvet

DIMENSIONS (L x W) CM

45 x 45

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too liang (cooling), chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

Velvet. Fits up to 50 x 50 cm Cushion insert.

MATERIAL

Matt art paper

DIMENSIONS (L x W) CM 

14.8 x 10

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too liang (cooling), chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

Matt art paper.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

8.4 x 9.8 (330ml)

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too liang (cooling), chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for microwave. Handwash only.

MATERIAL

100% Cotton

DIMENSIONS (L x W) CM

70 x 50

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts.

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too liang (cooling), chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The award-winning Love is a Warm Brew collection consisting of cushion covers, mugs, tea towels, greeting cards and specially blended teas symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

100% Cotton.

MATERIAL

Velvet

DIMENSIONS (L x W) CM

30 x 30

DETAILS

A graphic pattern inspired by the warmth of home, of living in Singapore, from the myriad of warm brews. Some made for us by our family and loved ones, some from our streets, in the kopitiams, the sarabat stalls etc. Memories of enjoying these beverages bring a warm glow to our hearts. 

Memories of mom brewing that ginseng drink to keep us energized during stressful work periods, grandma making that chrysanthemum drink when she felt we were too liang (cooling), chugging down mugs of teh halia or kopi from the sarabat stall after intense meetings or just chatting with friends.

The ingredients of these beverages are illustrated in a batik style, creating a pattern that is weaved with meaningful natural ingredients that are used to make warm, nourishing brews that make all of us feel at home in Singapore.

The Love is a Warm Brew pattern symbolises the love, care and kinship found through making, giving or sharing these heartwarming brews.

Velvet. Fits up to 50 x 50 cm Cushion insert.