Heritage Souvenirs

MATERIAL

Diatomaceous Earth, Cork

DIMENSIONS (L x W x ) CM (Each Coaster)

10.8 x 9.4 x 0.7

DETAILS

A set of 6 elegant coasters featuring Singapore Art Deco architectural landmarks, made using a highly moisture-absorbent natural material, diatomaceous earth. Absorbs water droplets from glasses and stops your table from becoming wet. 

A perfect gift for architecture, history and heritage lovers. 

EMBRACE ME

Sentimental. Beautiful. Iconic. These beautiful Art Deco buildings form an indelible part of Singapore's cultural heritage.

In a tribute to these storied landmarks still standing today, EMBRACE ME Cushion Covers reimagines their glory days in exuberant hues. Ready for fresh attention and a new appreciation, they are an invitation to embrace our architectural treasures, in every sense of the word.

The Cathay Building 2 Handy Rd

Tanjong Pagar Railway 30 Keppel Rd

Aliwal Arts Centre 28 Aliwal St

Clifford Pier 80 Collyer Quay

Tong Ah Eating House 36 Keong Saik Rd

Tiong Bahru Estate 82 Tiong Poh Rd

MATERIAL

100% Linen

DIMENSIONS (L x W) CM

70 x 50

DETAILS

Whether you prefer mooncakes of the snowskin or traditional sort, this limited edition tea towel is the perfect way to serve up your joyful Mid Autumn celebrations at home.

Featuring an illustration of traditional wooden mooncake moulds, bearing the Chinese characters “花好月圓” (huā hǎo yuè yuán). Huā hǎo means blooming flowers and yuè yuán means a full moon. This bears the blessing of a happy family reunion. 

Limited edition for SHANG YUE 2020.

STOCK AVAILABILITY

This item is made to order. Please allow production time of approximately 2 - 4 weeks. Kindly note for variant without frame: batik box colour and pattern for are subject to availability and handpicked by the artist

MATERIAL

Watercolour and 3-D collage on canvas, comes with stand and hook for table top or wall display.

DIMENSIONS (Width x Height) CM

Artwork: 23 x 23

DETAILS

The Straits Chinese or Peranakan style is a blend of Chinese, Malay, European and colonial elements which flourished from the late 19^th century to World War II. Rich in detail and built with care, the style has humble beginnings. It first appeared in simple shop houses where tradesmen toiled, and was only later adopted in the elaborate terraces homes of wealthy merchant families. It was common for the original owners of these houses to inscribe, above the windows, either their name or the name of the village in China that they came from. This collection of doors and windows is an attempt to preserve the beauty of Peranakan architecture in an artistic three-dimensional form. The windows themselves are limited in originals, hand painted by Arthur P Y Ting with abstract collages as the background.

百福千祥 (bai fu qian xiang) - Hundred Luck and Thousand Happiness

It is usually used by the Chinese in those days where they believed strongly in luck, prosperity and happiness.

 Custom inscriptions available, ask us.

STOCK AVAILABILITY

This item is made to order. Please allow production time of approximately 2 - 4 weeks. Kindly note for variant without frame: batik box colour and pattern for are subject to availability and handpicked by the artist

MATERIAL

Watercolour and 3-D collage on canvas, comes with stand and hook for table top or wall display.

DIMENSIONS (Width x Height) CM

Artwork: 23 x 23

DETAILS

The Straits Chinese or Peranakan style is a blend of Chinese, Malay, European and colonial elements which flourished from the late 19^th century to World War II. Rich in detail and built with care, the style has humble beginnings. It first appeared in simple shop houses where tradesmen toiled, and was only later adopted in the elaborate terraces homes of wealthy merchant families. It was common for the original owners of these houses to inscribe, above the windows, either their name or the name of the village in China that they came from. This collection of doors and windows is an attempt to preserve the beauty of Peranakan architecture in an artistic three-dimensional form. The windows themselves are limited in originals, hand painted by Arthur P Y Ting with abstract collages as the background.

和睦相處 (he mu xiang chu) - Living in Harmony

This is a common message in every Chinese home, where the respect and harmonious living is so essential that it reflects on the upbringing and reputation of the individual family.

 Custom inscriptions available, ask us.

STOCK AVAILABILITY

This item is made to order. Please allow production time of approximately 2 - 4 weeks. Kindly note for variant without frame: batik box colour and pattern for are subject to availability and handpicked by the artist

MATERIAL

Watercolour and 3-D collage on canvas, comes with stand and hook for table top or wall display.

DIMENSIONS (Width x Height) CM

Artwork: 23 x 23

DETAILS

The Straits Chinese or Peranakan style is a blend of Chinese, Malay, European and colonial elements which flourished from the late 19^th century to World War II. Rich in detail and built with care, the style has humble beginnings. It first appeared in simple shop houses where tradesmen toiled, and was only later adopted in the elaborate terraces homes of wealthy merchant families. It was common for the original owners of these houses to inscribe, above the windows, either their name or the name of the village in China that they came from. This collection of doors and windows is an attempt to preserve the beauty of Peranakan architecture in an artistic three-dimensional form. The windows themselves are limited in originals, hand painted by Arthur P Y Ting with abstract collages as the background.

出入平安 (chu ru ping an) - Peace When You Come and Go

This is a common message at the entrance of every Chinese home, to wish blessings upon those who enter or leave the residence.

 Custom inscriptions available, ask us.

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

MATERIAL

100% Linen

DIMENSIONS (Diameter x Height) CM

70 x 50

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

100% Linen

OpMATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

20.8 x 2

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

Porcelain with Hand Brushed Gold Trim. Suitable for cold desserts or as a display item. Not suitable for use for hot food, oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture.

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Porcelain, Gold

DIMENSIONS (D x H) CM

7.8 x 10.3

DETAILS

Long before Raffles arrived in Singapore in 1819, a long history of foreign trade was already established. Ming Dynasty blue and white porcelain from the 16th to 17th century were found in the Kallang River, indicating the presence of foreign trade.

In return for precious Chinese porcelain, Singapore, then known as Temasek, would supply Chinese traders with rare hornbill casques and high quality lakawood.

Some of the traded porcelain may have been known as Swatow ware - a style of Ming Dynasty ware intended for the Southeast Asian market. The style was vibrant and spontaneous, where birds, animals, trees, flowers, water and landscapes were painted freehand. Some of these artworks also depicted trading ships.

The 1818 Collection employs this vibrant and spontaneous style to illustrate scenery depicting local legends from Sang Nila Utama, the Dragon’s Teeth Gate and the Legend of Red Hill, set amongst local flora and fauna, some of which can still be found thriving in Singapore today.

Hidden within the scenes, one may also find icons from contemporary Singapore, creating a subtle sense of wonder in relation to time, history and culture. 

330 ml. Porcelain with Hand Brushed Gold Trim. Not suitable for use in oven, microwave or dishwasher. Handwash only.

MATERIAL

Velvet, Cotton Cushion Insert

DIMENSIONS (L x W) CM

45 x 45, fits up to 50 x 50 cm cushion insert

DETAILS

Coins — Stacks of coins wishes abundant blessings.

MATERIAL

Velvet, Cotton Cushion Insert

DIMENSIONS (L x W) CM

45 x 45, fits up to 50 x 50 cm cushion insert

DETAILS

Blooms — A lushly illustrated scene of blooming lilies and flowing coins wishes abundant blessings.